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Take Advantage of the Government’s “Instant Asset Write-Off” Program

Take Advantage of the Government’s “Instant Asset Write-Off” Program

The Instant Asset Write-Off (IAWO) Threshold

The higher IAWO threshold provides cash flow benefits for businesses that will be able to immediately deduct purchases of eligible assets each costing less than $150,000. The threshold applies on a per asset basis, so eligible businesses can immediately write‑off multiple assets.

The IAWO is due to revert to $1,000 for small businesses (turnover less than $10 million) from 1 July 2020.

Eligibility

The Government is expanding access so that more businesses can take advantage of the IAWO. The annual turnover threshold for businesses is increasing from $50 million to $500 million. Expanding the threshold will mean an additional 5,300 businesses who employ around 1.9 million Australians will be able to access the IAWO for the first time.

Timing

This proposal applies from 12 March 2020 until 30 June 2020, for new or second‑hand assets first used or installed ready for use in this timeframe. However, these changes do not take effect until new laws are passed.

We’ll provide more information about how to access the IAWO as it becomes available.

Learn more about the instant asset write-off.

Examples of how the instant asset write-off can help your business

Business benefits from increased asset threshold

Owen owns a company, ON Point Farms Pty Ltd, through which he operates a farming business in the Central Wheat Belt of Western Australia. ON Point Farms Pty Ltd has an aggregated annual turnover of $25 million for the 2019‑20 income year. On 1 May 2020, Owen purchases a second hand tractor for $140,000, exclusive of GST, for use in his business.

Under existing tax arrangements, ON Point Farms Pty Ltd is not able to immediately deduct assets costing more than $30,000 and instead would depreciate the tractor using an effective life of 12 years. Choosing to use the diminishing value method, ON Point Farms Pty Ltd would claim a tax deduction of $3,899 for the 2019‑20 income year.

Under the new $150,000 instant asset write‑off, ON Point Farms Pty Ltd would instead claim an immediate deduction of $140,000 for the purchase of the tractor in the 2019‑20 income year, $136,101 more than under existing arrangements. At the company tax rate of 27.5 per cent, Owen will pay $37,427.78 less tax in 2019‑20.

This will improve ON Point Farms Pty Ltd’s cash flow and help his business withstand and recover from the economic impact of the coronavirus.

Business benefits from increased turnover threshold

Samantha owns a company, Sam’s Specialty Roasters Pty Ltd, through which she operates a large food processing business in Brisbane. Sam’s Specialty Roasters Pty Ltd has an aggregated annual turnover of $150 million for the 2019‑20 income year. On 1 May 2020, Samantha purchases five new conveyor belts for her production facility for $40,000 each, exclusive of GST, for use in her business.

Under existing tax arrangements, Sam’s Specialty Roasters Pty Ltd is not eligible for the instant asset write‑off and instead would depreciate the conveyor belts using an effective life of 15 years. Choosing to use the diminishing value method, Sam’s Specialty Roasters Pty Ltd would claim a total tax deduction of $4,456 for the 2019‑20 income year.

Under the new $150,000 instant asset write‑off, Sam’s Specialty Roasters Pty Ltd would instead claim an immediate deduction of $200,000 for the purchase of the conveyor belts (i.e. $40,000 for each conveyor) in the 2019‑20 income year, $195,544 more than under existing arrangements. At the company tax rate of 30 per cent, Samantha will pay $58,663.20 less tax in 2019‑20.

This will improve Sam’s Specialty Roasters Pty Ltd’s cash flow and help her business withstand and recover from the economic impact of the coronavirus.

For more information, please visit:

https://www.business.gov.au/risk-management/emergency-management/coronavirus-information-and-support-for-business/instant-asset-write-off

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API Consoles and the Revival of Macon Georgia’s Capricorn Studios

API Consoles and the Revival of Macon Georgia’s Capricorn Studios

The visionaries of Mercer University, under the direction of President William Underwood and with the hands on diligence of Larry Brumley, Mercer’s Vice President tackled an enormous undertaking to save and revitalize one of pop music’s most iconic recording studios.

Among many important decisions that had to be made was a replacement console to the original API console that lived in the studio since the 70’s, and recorded so many legendary records, including most of the Allman Brothers catalog, Marshall Tucker Band, Charlie Daniels band and so many others at the leading edge of the Southern Rock music scene.

The decision was made to acquire a new API 2448 Recording Console to replace the 70’s era API console that lived at Capricorn.

With the choice of 3 different frame sizes, 24, 32 and 40 channels, Capricorn selected the largest 2448 frame built to date, a fully featured 40 channel version. With 40 Mic Pres and 40 API equalizers, each channel features two inputs, both with faders. Combining the Main Fader, the 2nd Fader and the 4 Stereo Returns gives the system an impressive 88 channels feeding the mix buses.

Rounding out the system is API’s ‘Final Touch’ motorized fader automation system, which is now compatible with Vision, Legacy AXS and 1608-II consoles, allowing projects to move seamlessly between facilities equipped with those API consoles.

Steve Ivey, a Mercer graduate and Grammy award winning producer engineer based out of Nashville was a key figure in the planning and revitalization of the studio.

“For 50 years API consoles and Capricorn Studios together have made a worldwide, profound impact in music and recording,” said Ivey. “As a Mercer University music graduate who learned to record on an API console, under the direction of Capricorn producer Paul Hornsby, I am thrilled to be a part of the team taking Capricorn Studios and API into the next era of recording great music.”

Daily management and chief engineer roles are carried by Rob Evans, another Mercer graduate. “Evans says that in 2016, when Gregg Allman was receiving an honorary degree, he told president Underwood, ‘The room is perfect. Don’t change a thing.’ He also said, ‘Get an analog console,’ so we’ve honored Gregg’s request.”

“We were honored to be a part of the Grand Opening festivities in December. It is gratifying to see the original API console from the 70’s being replaced by a new API console, keeping the heritage and legend of this studio alive,” said Larry Droppa, President of API. “We’re excited to have the opportunity to hear the new music that is going to come out of the facility. A huge thank you from the music community to Mercer University for having the vision to move forward and keep this dream alive.”

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Latitude Pay Now Avaliable at AWAVE

AWAVE provides multiple payment options from Latitude Financial Services. To read about other options from Latitude click here.

Good stuff happens now

Latitude Pay is now available at AWAVE!

Latitude pay is and exciting new way to pay. Shop at your favourite stores, online or in person. Buy the things you love to empower the life you want and pay just 10% upfront with LatitudePay.

There are zero surprises with LatitudePay. It does what it says on the box: 10 weekly payments instead of all at once. No interest, and no waiting for your new gear or great experience, just wonderful-ness.

Get set up in minutes

Sign up is super simple and if approved you can start using LatitudePay straight away.

No interest. Never ever

Latitude pay won’t charge you interest, and you won’t pay any fees when you pay on time. Payments are automated, plus Latitude will remind you.

Now’s good

No more waiting for weeks for what you want today, get it now and pay over 10 weekly payments. When you’re inspired, strike like a cobra. A shopping cobra.

 

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MOTU Introduce M2 and M4 UBC-C Audio Interfaces

MOTU Introduce M2 and M4 UBC-C Audio Interfaces

When shopping for an audio interface, singer/songwriters and podcasters oftentimes don’t need the full gamut of features. They want a reliable, easy-to-use unit that sounds great. That’s exactly what MOTU’s latest offerings give you — a streamlined design, high-level performance, and top-notch sound. This series of budget-conscious and high-quality USB-C audio interfaces includes the 2-in/2-out M2 and the 4-in/4-out M4.

Class-topping Sound Quality

When it comes to audio quality, the M2 and M4 are at the top of their class. They boast ESS Sabre32 Ultra DAC technology (the same D/A as MOTU’s flagship 1248), delivering unbelievable clarity with 120dB of dynamic range. Both models include MOTU’s transparent-sounding mic preamps, low-noise DC-coupled analog outputs, and an ESS-driven headphone output. Their latency specs are impressive, yielding round-trip latency as low as 2.5ms at 32-bit/96kHz. Whether you’re recording, mixing, or just listening, you can expect top-level sound from these audio interfaces.

Front of M4 Audio Interface

Podcasting Made Easy

MOTU’s M2 and M4 are tailor-made for livestreaming and podcasting, thanks to their loopback function. This enables you to blend your mic and other input signals with your computer’s output and then send the blended signal back to your computer, where it can be recorded. The M4 takes this functionality to a higher level with the inclusion of a Mix knob that balances your live input with your computer’s playback.

Back of M4 Audio Interface

Zero-latency Hardware Monitoring

Recording with the M2 and M4 is a pleasure, by virtue of their 1-touch hardware monitoring capability. This feature routes all the interface’s analog inputs directly to its analog outputs, thereby granting you zero-latency operation. The result? No annoying delay between what you play, sing, or say and what you are hearing in your headphones. You can also record the interface’s inputs simultaneously, which supplies zero latency while tracking.

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Focal Trio11 Be – The Loudspeaker Dedicated to Nearfield and Midfield

Focal Trio11 Be – The Loudspeaker Dedicated to Nearfield and Midfield

As well as new speaker drivers (a 5” midrange and a 10” subwoofer) with high efficiency and power handling, the Trio11 Be monitor enjoys all of Focal’s very latest technologies when it comes to acoustics and electronics: TMD and NIC technologies; optimised vents that promote dynamic control and perfect bass definition; high excursion, enabling even more linearity of the subwoofer…

Thanks to its class G amplification, Trio11 Be delivers a high SPL (118dB at 1m) and offers a great versatility of use and installation configurations in nearfield AND midfield applications. A key asset, always coming along with an extremely precise sound reproduction and stereo image.

With an extended bandwidth (30 Hz-40 kHz), this loudspeaker is also composed of a 3-way monitor and a 2-way monitor, just like Trio6 Be, which lets you check the mix transfer sound quality thanks to FOCUS mode.

With Trio11 Be, power and versatility are waiting for you!

Feel the difference!

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Neve AMS at Awave

Neve AMS at Awave

With a reputation for creating the world’s sweetest sounding and longest-lasting analogue and digital consoles, the most discerning artists, producers and facility
owners regard our products as number one for desirability on their equipment list,
and have done for the past fifty years.

AMS Neve is a dedicated, engineering-led and privately owned Company whose continuing mission is to provide the best possible sound, capability and operational
experience for the most creative people in the world – whether it be for film,
recorded music, or TV and broadcast.

All of our products are designed and built in England in our purpose built,
integrated facility. Close supervision of the entire process by the
product designers ensures the finest performance possible.
Recognised by all the premier bodies in the various fields of music, TV and film, the products and their designers have been honoured by two Scientific and Engineering Academy® Awards, an Emmy™ and a Grammy™ amongst many others. We have
pioneered a very large number of the ground-breaking techniques in the industry
including hard disk editing, digital console technology, digital audio for film, microprocessor controlled effects units and standards such as MADI.

In the transient world of short product life cycles, AMS Neve’s products stand the
test of time. In addition to being designed and built to last, our long-standing policy
of offering continuing upgrades to take advantage of the latest technology and
techniques on many products means obsolescence is minimised. The value in your
AMS Neve equipment remains long after the alternatives are in landfill. A large
proportion of all the products we have ever made are still in daily use and many
have achieved iconic, dearly loved and valuable status.

A sound investment indeed.

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Awave Mix It with FOCAL SM9 Trade In Deal (Limited Time Only)

Awave Mix It with FOCAL SM9 Trade In Deal (Limited Time Only)

Get a pair of amazing Focal SM9 Studio Monitors for $5999.00, when you trade ANY eligible model from brands including  ADAM, DYN-AUDIO, KRK, EVENT, GENELEC, EVE, BAREFOOT, QUESTED, FOCAL, MACKIE, PMC, UNITY AUDIO, YAMAHA.*

These professional studio monitors normally retail for $12,398 A PAIR!

Call Awave on 03 9813 1833 or email sales@awave.com.au to organise you trade in deal today, before stock runs out.

*All monitors traded must be in pairs. Subject to full working & cosmetic condition – offer is limited while stocks last

 

 

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Undertone Audio In Stock at Awave

Undertone Audio_Awave

Undertone Audio In Stock at Awave

There are a few limitations of the original Fairchild that we set out to address. First, we have made careful adjustments to the circuitry that greatly improve the lifespan and reliability of the tubes. Additionally, we’ve added a whole host of exciting new features that have never before been available on a Fairchild. The UnFairchild sports 6 original preset Time Constants and 4 variable Time Constants (attack and release), MS function, side chain processing, a true bypass, fine adjustment of left/right balance, user adjustable “DC Threshold”, and “Feed-Back” vs. “Feed-Forward” functionality. With the UnFairchild, we’ve made this extraordinary circuit flexible enough to handle pretty much every compression task on any style of music.

Checkout the Unfarichild 670M II and more below.

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IN THE SPOTLIGHT: BAE Audio

In The Spotlight BAE Audio

IN THE SPOTLIGHT: BAE Audio

Based in Southern California, BAE build hand-wired transformer-balanced outboard recording gear faithful to classic English and American designs.
We stock all BAE Audio’s extensive product range here at Awave which you can view here:

https://awave.com.au/brand/bae-audio

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McDSP Ships M1 Compatible APB Drivers

McDSP Ships M1 Compatible APB Drivers

The McDSP APB Driver has been updated to support the new line of Apple Silicon powered computers. The new APB Driver takes advantage of the latest advancements in Big Sur (Mac OS 11.x) by running natively on the new M1 processor. Additionally, the latest APB Driver installer will automatically load the correct driver version on Intel and M1 processor based Macs. The APB Driver still supports older Mac OS versions, including High Sierra (Mac OS 10.13.x), Mojave (Mac OS 10.14.x), and Catalina (Mac OS 10.15.x), as well as Intel processor based Macs running Big Sur (Mac OS 11.x).

The M1 compatible APB Driver is a free update to all APB-8 and APB-16 clients, and can be downloaded from the McDSP website today.

The new APB Driver is the latest addition to the growing line of plug-ins and features for the McDSP Analog Processing Box, the world’s first programmable analog processor. The McDSP Analog Processing Box (APB) combines the flexibility of software with the fidelity of premium analog processing. Each channel can be controlled by an AAX, AU, or VST3 plug-in giving true digital workflow with genuine analog performance. Processing options include compressors, mastering limiters, transient enhancement devices, multi-channel and multi-band applications, and much more.

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Avantone Planar at Awave

Avantone Planar at Awave

Planar is the culmination of Avantone’s experience in creating reference-grade monitoring products, and the demands of modern, professional end-users.

Featuring planar drivers for extreme detail, and supreme comfort for long sessions, Avantone’s Planars are a perfect solution for mix engineers, musicians, podcasters, live-streamers, and hi-fi enthusiasts.

Featuring planar magnetic driver technology.

Planar drivers offer an incredible set of advantages over traditional moving coil drivers. Amazing accuracy, high-end detail, clarity, natural bass and response time.

Traditional moving coil drivers use a magnetic field to push/pull the driver in one direction and rely on the surround’s elasticity to return the driver to the neutral position. Planar drivers utilize a technology that mixes principles between dynamic and electrostatic drivers — they are constructed by a precise array of magnets that are evenly spaced across both sides of a thin, electrically-active diaphram.

Due to the nature of this magnetic field’s precision, force applied to the membrane is distributed in a symetric fashion which produces a signal with very little harmonic distortion, and incredibly fast response times. And because planars use front and rear magnets to apply equal forces in both directions, there is far less weight applied to the driver material, which results in a much more natural sound with less distortion — allowing for hours of fatigue-less listening.

Avantone’s Planar headphones also employ an open-back design, with a perfectly tuned chamber that results in a very flat-frequency environment, without the typical pressure build-up, acoustic resonance, and frequency curve of closed back headphones. The result is an audiophile listening experience that can even be enjoyed portably!

Headphones that meet the modern day demands.

Planar might be a bit larger than typical headphones, but that doesn’t change the need for comfort! Planar is perfectly weighted for long-listening sessions, and provides additional comfort with their soft and spacious ear pads. Sessions that last for hours will only feel like minutes when wearing them!

Avantone Planars also include a high-grade, removable 3.5mm cable that can be plugged into either side! Maybe you’re working with a large instrument, or a specific rig that makes the typical “left side cable output” feel awkward; just plug into the right side! Planar also ships in an eco-friendly shoulder bag with room for your accessories — and even a pouch for it’s included cable.

Specifications

  • Style: Over-ear, open-back
  • Transducer Type: Planar Magnetic
  • Magnet Type: Neodymium N50SH
  • Diaphragm Type: 21 Micron PET
  • Transducer size: 70 x 95 mm
  • Maximum power handling: 5W RMS
  • Frequency response: 30Hz – 30kHz
  • THD: <0.1% @ 100dB
  • Impedance: 32 Ω
  • Sensitivity: 104 dB/1mW (at Drum Reference Point)
  • Minimum power: >100mW
  • Recommended power: >250mW
  • Weight: .48kg; 1 Lbs
  • Color: Black
  • Included Accessories: 1.5m; 5ft 3.5mm audio cable
    • 3.5mm to 1/4” adapter
    • Eco-friendly carrying bag
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Black Lion Audio Revolution 2×2 at Awave

Black Lion Audio Revolution 2×2 at Awave

USB 2 Channel Portable Recording Interface – Modded Out Of The Box!
Revolution 2×2 is built with the most cutting edge, high-end ICs. High-end Vishay, Nichicon, and Wima capacitors are used throughout the entire circuit. All internal gain-staging has been optimized for the very lowest signal-to-noise ratio. All of the analog I/O has not only been built with the finest components, but are fully decoupled and balanced — right to the very core of the convertor! Most manufacturers do not follow this practice, and that allows extra noise contamination during both capture and playback.

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Gator Studio Furniture is Now In-Stock

Gator Studio Furniture is Now In-Stock

LEVEL UP YOUR CREATIVE SPACE WITH GATOR STUDIO FURNITURE

Gator Frameworks introduces space-saving, ergonomic modular workstations that feature contemporary design with superb quality in every detail for podcasters, musicians, and all content creators. 

Any producer, musician, or creator will benefit from every piece of furniture in this series. The Gator furniture series provides extraordinary comfort and helps you feel your best when you are creating.

CONTENT CREATOR SERIES (Available in Black)

The Content Creator series features all the design elements to get your creative juices flowing. Including rack space below the raised monitor shelf, threaded mic adaptor posts for mic mounting, and individual feet leveling to adjust to uneven surfaces.

  • Double-Level Platform Design Fits Small Studio Monitors, MIDI Control Surface, Mixer, & Similar Audio Equipment
  • 3U Rack Space Below Top Surface for Mounting Audio Interface, Preamps & Other Pro Audio Gear
  • Slide-Out Computer Keyboard Tray
  • Threaded Mic Adapter Posts for Convenient Desktop Mic Mounting
  • Leveling Feet on Base for Uneven Floor Surfaces
  • Sturdy, Black Powder Coated Steel Frame
  • Available in Corner and Rack sections

ELITE SERIES  (Available in Brown and Maple)

The Elite series has a luxurious feel with beautiful wood grains, innovative design elements such as cable management, pull out trays, rack space, and a raised shelf that keeps your monitors at optimal listening level.

  • Ergonomic Workstation for Podcasts, Broadcasts, Content Creation, Streaming, & Music Production
  • 1”/25mm Thick Double-Level Platform Design Fits Small Studio Monitors, MIDI Control Surface, Mixer, & Similar Audio Equipment
  • 4U Rack Space with Customizable Dividers for Switching Between Dual or Single Rack Configurations
  • Pre-Bore Holes for Surface Mounting Frameworks-Brand Desktop Mic Boom Arm Models
  • Soft Close Slide-Out Keyboard Tray for 49-Note Keyboards
  • Legs with Removable Inner Panel for Cable Routing & Under-Desk Cable Management Included
  • Available in Corner and Rack sections

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Sequential Take 5 Compact Poly Synth

Sequential Take 5 Compact Poly Synth

Portable, Powerful, Polyphonic

The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths — whether you’re new to analog synths or a space-conscious pro. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. Genuine Sequential sound and quality at a price within your reach.

Fits Anywhere You Need It

With 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones.

Powerful Synthesis

The five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. The result is classic Sequential — smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage. For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. Dual Digital effects, a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM all ensure the Take 5 can kick out modern tone just as easily as it does vintage..

Finishing Touches

The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice), two ADSR+delay envelopes, extensive modulation, a 64-step polyphonic sequencer, and a multimode arpeggiator. The premium Fatar keybed makes it a pleasure to play, wherever you take it.

OSCILLATORS

  • Two analog VCOs per voice
  • Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
  • Hard sync: oscillator 1 syncs to oscillator 2
  • Square wave sub-octave generator (oscillator 1) per voice
  • Keyboard tracking on/off for each oscillator
  • Front-panel FM (frequency modulation)

MIXER

  • Oscillator 1 amount
  • Oscillator 1 sub-octave amount
  • Oscillator 2 amount
  • White noise/pink noise amount

LOW-PASS FILTER

  • Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
  • Filter can be driven into self-oscillation with the Resonance control
  • Bi-polar filter envelope amount

ENVELOPES

  • Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
  • Velocity modulation of each envelope amount
  • Envelopes freely assignable to multiple modulation destinations

LOW FREQUENCY OSCILLATOR

  • Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
  • Clock sync (internal or external MIDI clock)
  • Freely assignable to multiple modulation destinations
DIGITAL EFFECTS
  • One dedicated reverb with damping, pre-delay, decay and tone
  • One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
  • Dedicated Overdrive effect
VINTAGE KNOB
  • Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.

AFTERTOUCH

  • Source: channel (mono) aftertouch with bi-polar amount
  • Aftertouch freely assignable to multiple modulation destinations

CLOCK

  • Master clock with tap tempo
  • BPM control and display
  • MIDI clock sync

ARPEGGIATOR

  • Up, down, up+down, random, assign modes
  • Syncs to MIDI clock
  • Re-latching arpeggiation

SEQUENCER

  • Polyphonic step sequencer with up to 64 steps with ties and rests

PERFORMANCE CONTROLS

  • Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
  • Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
  • Low-split mode creates two independent performance zones with different octave ranges
  • Hold switch latches held notes on
  • Polyphonic glide (portamento)
  • Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
  • Factory switch: when off, the front panel is live; what you see is what you hear

PATCH MEMORY

  • 128 user and 128 factory

IN/OUT

  • 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
  • USB port for bidirectional MIDI communication
  • 1 Sustain/footswitch input
  • 1 Expression pedal input
  • Main stereo output (2 x 1/4″ phone jack)
  • Headphone out (stereo 1/4″ phone jack)

POWER

  • IEC AC power inlet for internal power supply
  • Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption

PHYSICAL SPECS

  • Premium, 3.5-octave, semi-weighted Fatar keyboard
  • 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
  • Weight: 17 lbs (7.7 kg)

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SSL’s UF8 Control Surface is Looking Great in the ARGOSY Eclipse Console

SSL’s UF8 Control Surface is Looking Great in the ARGOSY Eclipse Console

If you have clients looking at the UF8, make sure they have a furniture solution that not only can accommodate all the gear they need, but also creates an inspirational environment to help them create their best work!

ARGOSY Eclipse can accommodate all the accessories, like monitor arms, speaker mounts, as well as offer a great deal of expandability and flexibility in the configurations available.