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Eventide Audio Blackhole Pedal

Eventide Audio Blackhole Pedal

Features

  • Five presets loaded at your feet with dozens more available with Eventide Device Manager (EDM) software
  • Control the Size of your space from a cartoonishly small room to a limitless universe
  • Use PreDelay to offset the onset of the reverb
  • Turn up Feedback to go beyond the event horizon
  • Tap the Freeze Footswitch to instantly ‘freeze’ your sound
  • Dual action Active Footswitch is latching or momentary
  • Rear panel Guitar/Line Level switch for selecting use with guitar, synths, FX loop or DAW interface
  • Map any combination of parameters to an Expression Pedal
  • Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing (up/down/load)
  • MIDI capability over TRS (use with a MIDI to TRS cable or converter box) or USB
  • Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry
  • Catch-up mode helps dial in your sound when toggling between presets/parameters
  • Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets
  • Fine-tune your tone with Lo, Hi and Q (resonance) controls. Use the tone controls to add airiness or clear up the low-end. Map the EQ controls to an expression pedal to add movement to the reverb tail
  • Unique Gravity control to custom-tailor the reverb tail in two realms — normal or inverse decay. Create interesting swells or suck the dry signal back into the reverb tail. At longer decay times, Blackhole allows the articulation to shine through without competing with the reverb tail

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Arturia’s new all-powerful 61-key 6-voice polysynth: PolyBrute

Arturia’s new all-powerful 61-key 6-voice polysynth: PolyBrute

With stereo dual-filter architecture, near-infinite tactile modulation capabilities, seamless sound-morphing, and never-before-seen expressive controls.

The 6-voice pure analogue PolyBrute builds on award-winning technology and sound to deliver the polysynth we’ve all been waiting for. PolyBrute has an expansive morphing architecture and a solid, expressive 61-key range that’ll take your sound where no synth has gone before.

Features: 

  • 6-voice analogue morphing polysynth
  • 61-note velocity/pressure-sensitive keyboard
  • 2 Brute waveshaping oscillators per voice
  • Noise generator ranging from red to white noise
  • Dual filter design: Steiner multimode and Dr. Bob Moog’s 24db Ladder
  • Master filter control and filter FM
  • 3 LFOs and 3 Envelope Generators
  • Matrix interface for modulation, sequencing, and preset control
  • 64 Matrix points for modular-style patching
  • Each preset has 2 states, seamlessly blended with the Morph control
  • Split or layer the keybed with the morphable sonic states
  • Select Poly, Mono, or Unison modes for the keyboard
  • Revolutionary 3-axis Morphée controller for real-time tactile expression
  • Assignable ribbon controller above keybed
  • Pitch wheel and assignable multi-function mod wheel 
  • 64-step sequencer with motion recorder and automation
  • Multi-mode complex arpeggiator 
  • Built-in stereo digital effects including reverb, chorus, and delay
  • Left and right unbalanced 1/4″ output jacks
  • MIDI In, Out and Thru DIN connectivity, plus USB MIDI
  • PolyBrute Connect software for Mac/PC for easy library and workflow management
  • Optional wooden legs extra
     
  • Included Software: 
  • PolyBrute Connect
  • Arturia MIDI Control Center

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Trident 88 Console

Trident 88 Console

The Trident 88 is a classically styled, in-line, eight-buss analog console and an advancement in lineage of the revered Series 80 mixing desks.

Designed with manufacturability in mind, the 88 is artfully constructed for ease of use and workhorse reliability.

Available in stock configurations of 16, 24, 32, and 40 channels. The model 88 is sized to fit the modern, high end facility – whether private, institutional, or professional.

Along with the pleasingly familiar routing and feel of a classic Trident desk, are modern refinements that serve to improve functionality, workflow and performance specifications.

For example, integration with outboard processors and mic pre’s, such as the 500 format, is provided simply and elegantly by means of an exclusive, switchable input. This bypasses the channel preamp circuitry and allows for insertion of external signal sources directly to the channel equalizer.

Being a Trident, the equalization is of course, wonderful, and on the 88 – it is also plentiful. Always available on the channel, monitor, effects returns and group sections.

In the area of customization, the 88 has options for vu metering, transformer I/O, automation, short loading and channel configurations exceeding 40 inputs.

Features found throughout the 88 make for a straightforward and powerful package, but paramount to all else is The Sound. Among the many styles, preferences and methods of recording exists the expectation that a board must have the ability to be pushed hard and sound big. With 27dB of headroom, the 88 is designed to be pushed hard and sound big. This is a hallmark of the series 80 consoles and the 88 carries that tradition forward.

Bottom line: The Trident 88 was created with all of this in mind so that you can use it to make great sounding tracks.

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Jomox Alpha Base Drum Machine

Jomox Alpha Base Drum Machine

It’s true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. We have put in the concentrated know-how of the Jomox drum machines and of our synths of the past 20 years. We have simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built.

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Vermona at Awave

Vermona at Awave

VERMONA is a German manufacturer of analogue synthesizers, drum machines and effects as well as eurorack modules.

Our units are designed and handcrafted in our little manufactory – the “Elektroakustische Manufaktur Erlbach” by a small enthusiastic team.

We love to see and hear what people do with the instruments we build. Each note generated or refined with one of our units makes us really proud.

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Introducing the Polyend Tracker (In Stock)

Introducing the Polyend Tracker (In Stock)

Break the pattern

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction.

Introducing the first hardware tracker in the music world.

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Burl Audio – Popular MOTHERSHIP Solutions

Burl Audio – Popular MOTHERSHIP Solutions

This is an example of a MOTHERSHIP solution for live sound. It features 32 MIC / LINE inputs via the B4 Daughter Card, and 16 outputs via BDA8s.

This is a high-end home recording solution featuring the B4 MIC / LINE ADC Daughter Card with 4 analog inputs, and the B22 ORCA Daughter Card with 2-channels for mixing/mastering and a 2-channel monitor section.

This is an example of a mastering solution featuring the B16 MOTHERSHIP with a BAD4M for 4-channels of analog input and a BDA4M for 4-channels of analog output with switchable transformers and adjustable analog attenuation.

This B80 MOTHERSHIP features 32 analog inputs via the BAD8 ADC Daughter Card, and 24 analog outputs via 3 BDA8s and 1 BDA4M DAC Daughter Cards.