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New to AWAVE Golden Age Comp 3A

New to AWAVE Golden Age Comp 3A

The LA-3A is a truly classic compressor / leveling amplifier. Having been used for decades on countless recordings, it is a perfect example that vintage designs never go out of favor.

At the core is the T4 electro-optical attenuator with its unique sound and compression characteristics and a very smooth, natural and program dependent operation. Add to that the easy of use with only two main controls, GAIN and PEAK REDUCTION and the wonderful sound of the fully discrete signal path and the transformers.

The Golden Age Comp 3A is a new Compressor by Golden Age that is inspired by this classic design.

Watch the tutorial below to see the Golden Age Comp 3A in action.

Click here to purchase your Golden Age Comp 3A

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Warm Audio Videos With Ryan Eamhardt

Warm Audio Videos With Ryan Eamhardt

Warm Audio is a Texas based manufacturer of high end audio equipment that strives to place quality recording equipment in the hands of as many musicians as possible. To achieve this goal, Warm Audio,  produces top-end gear that is affordable and fits within the budget of the most humble of musicians.

In the following videos, Ryan Eamhardt of Creative Sound Lab, demonstrates the high sonic quality of the Warm Audio EQP-WA, a Pultec style EQ and the WA76 Discrete Compressor.

Click below to see this incredible gear in action.


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Grove Hill Audio Liverpool Variable Mu Tube Compressor

Grove Hill Audio Liverpool Variable Mu Tube Compressor

Grove Hill Audio introduces the LIVERPOOL, a hand assembled, all-tube feedback compressor.

Tube compressors were first introduced in the early 1930’s, and became widely used in the USA and England in the 60’s. An American Mu tube compressor found its way to England were it was improved with several modifications; these units are still in use today. These rare iterations have never been commercially available. For years there’s been much curiosity surrounding the actual modifications made to these famous compressors.  To differentiate the modified units, the original green front panels were painted gray and a new model number was assigned.

In the spirit of the elder engineers, we respectfully took liberties and made subtle circuit and control modifications that make this compressor very special. We listened carefully and tweaked it over and over to capture the vintage tone and vibe that make it unique. We then twisted knobs and pushed the tube circuitry, exposing additional creative capabilities.

Then we did a little hot rodding to the Liverpool – you can push it harder on the front end and the back end creating a useful creative tool. This is why the product is unique and NOT a clone. It is a hybrid, carefully thought out in the spirit of the original Mu tube compressor, but new to the market with additional design enhancements.

The LIVERPOOL compressor took well over a year to recreate the sonic character relative to the units still in use at world famous recording studios. Custom wound input and output transformers (Made in the USA), critical component choices and circuit layout were all carefully considered in developing a reliable creative tool for a wide variety of instruments, vocals and program sources.


Type:                                                          Variable Mu Compressor Amplifier

Frequency Response:                                +/- 1.5dB, 10 Hz to 40,000Hz

Frequency Response:                    +/- 1.5dB, 30 Hz to 15,000Hz

Power Output:                                            +20 dBu

Total Harmonic Distortion:                          0.08% at 1 KHz with output at 0dB

Noise Level:                                                82 dBu below rated output

Source Impedance:                                      Any up to 15,000 Ohms

Load Impedance:                                         600 Ohms

Attenuation:                                                 30 dB in 5 dB steps – Constant impedance.

Maximum Compression:                             30dB

Attack Times (msec):                                  3, 19, 48, 77, 109, 138

Recovery Times (*msec):                           127*, 447*, 917*, 1.9 sec., 3.4 sec., 6 sec.

Threshold:                                                   0dBm to +16dBm Output

Compression Ratios:                                   2:1 at 0dBm Threshold, 4:1 at +16dBm Threshold

Tube Complement:                                      6BC8/6BZ8, 6CG7, 6AL5

⊕ Manual

⊕ Frequency Response Graph