Cloud Microphones TRUE BLUE CL-520 Set – Matched 500-Series Microphone Preamps & Instrument DI Modules (Stereo Pair)
OVERVIEW
The CL-520 Microphone Preamplifier and Instrument DI Stereo Pair is engineered to deliver stunning musical accuracy, practical and innovative features, outstanding value, and long-term reliability. Every element of its design has been refined through extensive critical listening evaluations and comprehensive user feedback.
Each CL-520 module features an updated TRUE Systems preamplifier core design, providing ultra-high-resolution musicality and optimised performance with condenser microphones, dynamic microphones, ribbon microphones, and self-powered tube microphones. The original TRUE Systems preamplifier core has been trusted for over two decades in studio, live sound, post-production, and educational environments – supporting virtually every genre of voice and music production.
A unique illuminated Cloud Touch-ControlTM User Interface replaces conventional pushbutton and toggle switches. This advanced interface enables microprocessor-controlled, high-reliability telecom relays for signal and function switching, resulting in significantly shorter signal paths and reduced sensitivity to electromagnetic interference (EMI). The illuminated controls also enhance visibility of preamp status from a distance or in low-light environments.
To enhance operational safety, the CL-520 includes a Blink-Delay feature that helps prevent unintended activation or deactivation of Phantom Power and High-Gain modes.
When either function is selected, its status indicator briefly blinks as a visual warning before activation is engaged after a short delay.
The DI IN and THRU jacks function as a signal split for simplified system integration. The DI IN routes the instrument signal directly to the preamp core, while the THRU jack passes the signal to an amplifier, additional DI, or 500-series module without interruption.
The continuously variable High-Pass Filter (HPF) provides precise low-frequency attenuation across a range of 25 Hz to 420 Hz. This control allows fine adjustment to compensate for microphone proximity effect and is highly effective in reducing low-mid frequency buildup or “mud” in vocals, bass instruments, and other sources.
When the HPF is disengaged, the low-frequency response extends down to 6 Hz, ensuring full bandwidth performance.
KEY HIGHLIGHTS
Precision-Matched Stereo 500-Series Preamp Pair
The TRUE BLUE 520 Set includes two carefully matched CL-520 modules, providing consistent gain, tonal accuracy and stereo imaging for recording sources such as acoustic instruments, drum overheads, piano, ensembles and stereo microphone configurations.
Up to +76dB of Ultra-Clean Gain
Each preamp delivers an impressive +76dB of available gain, providing exceptional performance with condenser, dynamic, ribbon and self-powered tube microphones while maintaining outstanding clarity, low noise and musical accuracy.
True Systems Preamp Technology
Built around an updated TRUE Systems preamplifier core, the CL-520 combines decades of proven analogue design experience with modern refinements to deliver high-resolution audio performance trusted across studio, live sound, broadcast and post-production environments.
Cloud Touch-Control™ Interface
The patent-pending illuminated Cloud Touch-Control™ system replaces traditional switches with a reliable, intuitive control interface. Microprocessor-controlled relays provide shorter signal paths, improved EMI resistance and clear visual feedback during operation.
Flexible Instrument DI & THRU Connectivity
Each module features a high-impedance FET-based DI input and dedicated THRU output, allowing simultaneous instrument recording and amplifier connection, as well as easy integration with additional DI devices or external processing equipment.
Precision Variable High-Pass Filtering
The continuously variable high-pass filter provides precise low-frequency control from 25Hz to 420Hz, helping reduce unwanted rumble, proximity effect and low-mid buildup while preserving the natural character of the source.
Exceptional Stereo Tracking Performance
With fully balanced circuitry, precision 0.1% resistors and excellent channel consistency, the TRUE BLUE 520 Set provides the accuracy and reliability required for professional stereo recording, mixing and production workflows.
FEATURES (Per CL-520 Module)
- APITM 500 Series Module Format – Compatible with standard API 500 series racks and power supplies.
- Fully Balanced Topology – Designed for superior noise rejection and signal integrity:
- Exceptional immunity to ground noise and ground loops
- High resistance to external EMI and interference from adjacent modules or power
supplies - Ultra-low distortion performance, no capacitors in the signal path (Dyn/Rib mode)
- Rail-to-Rail Circuit Design – Optimised for maximum headroom and dynamic range:
- Increased internal operating headroom
- High maximum input level without pad (up to +21 dBu)
- Elevated output level capability without transformer coupling or excessive current
draw
- 0.1% Precision Resistors – Ensuring consistent, accurate performance:
- Outstanding common-mode rejection and output signal balance
- Excellent unit-to-unit sonic consistency
- FET-Based DI IN and THRU Jacks – Designed for flexible integration:
- Simple connection to amplifiers for simultaneous DI and mic’d tracking or live sound
- Easy routing to additional DI units or effects processors for parallel signal paths
- Continuous Detented Gain Control – Precise and repeatable gain staging:
- Detented control for accurate resettability
- Dual gain ranges for optimised control
- Up to 76 dB of total available gain
- Cloud Touch-ControlTM User Interface – Advanced, reliable control architecture:
- Illuminated controls and status indicators
- Microprocessor-controlled, high-reliability signal and function relays
- Blink-Delay to protect against accidental phantom power or gain switching
- High-Pass Filter (HPF)
- Continuous, detented adjustment from 25 Hz to 420 Hz
- Precise low-frequency management
- 4-Level Signal Metering
- -20dBu (signal present), +4dBu, +14dBu and +24dBu (OL)
TECHNICAL SPECS (Per CL-520 Module)
Microphone Input |
|
|---|---|
| Gain (MIC In) |
|
| Maximum Input Level @ min gain setting |
|
| Input Impedance (MIC) |
|
| High Pass Filter (HPF) |
|
Direct Input (DI) |
|
| Gain (DI In) |
|
| Maximum Input Level @ 20dB gain, +26dBu out |
+6 dBu in(THD+N = 0.0007%) |
| Input Impedance (DI) | 1 MΩ |
Audio Performance & Distortion |
|
| Frequency Response @ 40dB gain, +26dBu out |
|
| Maximum Output Level @ 40dB gain |
+28 dBu(THD+N = 0.0004%) |
| CMRR @ 40dB gain, +26dBu out |
92 dB(30 Hz to 20 kHz, +10dBu CMV in) |
| Output Balance @ 40dB gain, +26dBu out |
80 dB @ 1 kHz |
| Phase Shift @ +26dBu |
|
| THD + N @ 40dB gain, +26dBu out |
0.00036% @ 1 kHz, 20 Hz to 20 kHz (Note 1) |
| THD @ 40dB gain, +26dBu out |
0.0002% @ 1 kHz (Note 1) |
| Intermodulation Distortion @ 40dB gain, +20dBu out |
|
| Noise Rs=0 |
|
| Slew Rate | 54 V/µS |
Power & System |
|
| Common Mode Output Offset @ max gain |
40 mVDC |
| Differential Output Offset @ max gain |
5 mVDC |
| Power Consumption +26dBu out |
|
Measured value is at or near the residual accuracy limits of the Audio Precision APX555-B test system.
Similar measurement to SMPTE/DIN 4:1 7kHz/50Hz, but with more detail.
Measures high-frequency linearity, stability, and “edginess” related to transient response.
* Typical performance specifications, subject to change without notice.













