Studio Electronics – Boomstar Modular Sci Fi
SCI FI is an ingeniously vintage-circuit-inspired Richard Nicol/Pittsburgh Modular original—jump cut to matttechmodular to see just how mouch fun can be wrung out of it!
As the reader might already know, ring modulation is a signal-processing electronic function: an implementation of amplitude modulation or frequency mixing, performed by multiplying two signals. This beloved other-worldly, warm, and at times clangorous coloring dates at least as far back to Bode’s Melochord of 1947 technology, which was ultimately licensed to Robert Moog in the early 1960s. Of course analog maestros Don Buchla, and Lord Tom Oberheim made their indelible marks, with circuitry culminating—to our ears—in the brilliantly rhythmic, and wildly expressive Yamaha CS-80 Ringmod’s sonic alchemy and “Electone” informed controls.
Six attenuation pots: RING MOD, LFO FREQ, WHITE, PINK, RANGE, and LAG.
Seven patch points: RM X IN, RM Y IN, GATE, SOURCE, RM OUT, WHITE, PINK, and SÂ &Â H OUT.
RING MOD – Adjusts the ring mod depth.
LFO FREQ – Adjusts the rate of the sample & hold.
WHITE – Adjusts the white noise level.
PINK – Adjusts the pink noise level.
RANGE – Adjusts the sample & hold depth or intensity.
LAG – Adjusts the sample and hold lag or slew limiting (glide): in the circuit after the sample & hold and before the range attenuator.
RM X IN – Ring Mod X waveform input.
RM Y IN – Ring Mod Y waveform input.
GATE – External gate input for sample & hold.
SOURCE – External audio/CV input for sample & hold.
RM OUT – Ring Mod output.
WHITE – White noise output.
PINK – Pink noise output—the pink noise is normaled to the source input of the sample & hold.
S & H OUT – Sample & hold output.
Size – 10hp
Depth – 39.7mm with ribbon cable attached
Power Usage – 48mA, 41mA (+12 / -12)